In this issue:
- Transitions Between Duple and Triple Meter in the English Lute Songbooks, 1597–1622 (Part One)—Christopher Baum
- Bandora and Orpharion: A Case of Excessive Buzzing and Crooked Frets—Sjon van der Tol
- Going Electric!—Bor Zuljan
- Tobias Tietze: Old Lutes, Old Strings and Old French Music—Interviewed by Catherine Liddell
- “A Woman’s Instrument”? John Dowland’s Lute Music and its Female Players c.1600 — Sara Salloum
- The Kremsmünster Lute Manuscripts — Peter P. M. Steur
- Some Thoughts on Lex Eisenhardt’s Article “Robert de Visée and the French Tuning” — Monica Hall
- Making Sense of Spinacino: (Part 6) “In pace” (“Que vous ma dame”) and “Sidedero” — Sean Smith