2022 – Volume 57, Nos. 1 & 2

• Interview with Jiří Tichota on the Occasion of the Publication of Codex Jacobides — Jan Čižmář
• Une délicatesse merveillieuse: Valentin Strobel, Forgotten Master of the Lute Part I: Extended Family and An Overview of the Darmstadt Court — Tobias Tietze
• Francesco Tribioli: The Man Behind Fronimo Software — Sean Smith
• Lute Players of the Past: What Instruments Did They Have? Part 3 — Joël Dugot
• The Editions of Pierre Phalèse and Sons and the Passemezo Antico for Lute, 1563–1592 — Sean Smith
• An Introducton to Early Music Improvisation — Tina Chancey
• A Padoana Francese for Guitar or Lute — Sean Smith

• LSA Quarterly 2022, Nos 1 & 2

2022 – Digital Supplement No. 17

Supplement to LSAQ 2022 – Volume 57, Nos. 1 & 2

• Lute Players of the Past: What Instruments Did They Have? Part 3, More Pictures — Joël Dugot
• Jiří Tichota: Biography and Publications
• Prelude for Theorbo, Robert deVisée
• Now Made Easy — Arranged by Gail Gillispie
• A Padoana Francese for Guitar or Lute — Sean Smith
• The Editions of Pierre Phalèse and Sons and the Passemezo Antico for Lute, 1563–1592 — Sean Smith

• LSA Quarterly 2022, Supplement No 17

2021 – Volume 56, No. 4

• Sultzbach’s 1536 Edition of Works by Francesco da Milano: A Case for Re-Ordering Francesco’s Catalog — Anna F. Porcaro
• The Lute Music Published by Pierre Phalèse, 1545–c.1575: A New Comprehensive Edition — Jan Burgers
• Lute Players of the Past: What Instruments Did They Have? Part 2 — Joël Dugot
• Two Marais Pieces Arranged for Theorbo — Catherine Liddell
• “Dolmetsch Manuscript” GB-Had Ms.II.B1 — Nancy Carlin
• Three Lute Songs — George Moss

• LSA Quarterly 2021, No 4

2021 – Digital Supplement No. 16

Supplement to LSAQ 2021 – Volume 56, No. 4

• Symposium: John Dowland’s Activities on the Continent—Jeremy A. Bass
• Statement of Financial Position & Activity—Year End March 31, 2022
• Now Made Easy: Pieces from the “Stobaeus Manuscript” Sloane 1021
• Source Material for Now Made Easy Pieces from the “Stobaeus Manuscript” Sloane 1021
• Two Marais Pieces Arranged for Theorbo—Catherine Liddell
• Three Lute Songs—George Moss
• Pieces from the “Dolmetsch Manuscript,” GB-Had Ms.II.B1—Nancy Carlin

• LSA Quarterly 2021, Supplement No 16

2021 – Volume 56, Nos. 2 & 3

• Bor Zuljan — Interviewed by Sean Smith
• Genua F.VII.1 as a Source for the “Donaueschingen Lute Book” — Andre Nieuwlaat
• Lute Players of the Past: What Instruments Did They Have? Part 1 — Joël Dugot
• The Ukrainian National Anthem “Shche Ne Vmerta” for Renaissance & Baroque Lutes — Jacobus Olevsiensis, Arranged by Roman Turovsky
• The Evolution of a Virtual LSA Chapter — Scott Saari and John Orluk-Lacombe
• Music from the Fitzwilliam Virginal Book Arranged for Lute — Nancy Carlin
• A Collection of Lute-Songs Taken from Pratum Musicum, 1584 by Emmanuel Adriaensen — Sean Smith
• “Four-Sided Stage” — Lukas Henning

• LSA Quarterly 2021, Nos 2 & 3

2021 – Digital Supplement No. 15

Supplement to LSAQ 2021 – Volume 56, Nos. 2 & 3

• Now Made Easy: Laudon Schuett
• Lute Players of the Past: What Instruments Did They Have? Part 1: Additional Pictures—Joël Dugot
• Music from the Fitzwilliam Virginal Book Arranged for Lute—Nancy Carlin
• A Collection of Lute Songs Taken from Pratum Musicum (1584), by Emmanuel Adriaensen
• A Collection of Lute Solos from Pratum Musicum (1584) by Emmanuel Adriaenssen—Sean Smith
• Genua Ms. F.VII.1, as a Source for the “Donauschingen Lute Book”—Andre Nieuwlaat

• LSA Quarterly 2021, Supplement No 15

2021 – Volume 56, No. 1

• Sweeter than Sheep: An Invitation to Fingerstyle Wire Strings — Taro Takeuchi
• The Wire Connection: Hidden Ensembles? Lute and Cittern in the “Willoughby Lute Book” — Andrew Hartig
• Divine Harmonie, Psalms, and Airs Spirituels in France During the Sixteenth and Seventeenth Centuries — Jean-Marie Poirier
• The Fresneau Project — Edward Martin
• Antonio Corona-Alcalde, a Luminary Departed — John Griffiths
• A Caution of Bar Lines: da Crema and Abondante — Sean Smith

• LSA Quarterly 2021, No 1

2021 – Digital Supplement No. 14

Supplement to LSAQ 2021 – Volume 56, No. 1

• Now Made Easy: Duets Arranged for Equal Lutes from the “Swan Manuscript”
• Source Materials for Duets from the “Swan Manuscript”
• A Brief Note on the Lute and Cittern Parts (Supplement to Hidden Ensembles? Lute and Cittern in the “Willoughby Lute Book”)—Andrew Hartig
• Supplemental to Divine Harmonie: Psalms and Airs Spirituels in France During the Sixteenth and Seventeenth Centuries—Jean-Marie Poirier
• Supplement to The Fresneau Project: Fresneau’s “Chaconne”—Edward Martin
• Supplemental Music and Images to Go with “Sweeter than Sheep:” An Invitation To Fingerstyle-Wire Strings—Taro Takeuchi
• Intabolatura di Iulio Abondante…de ogni Sortede Balli… Libro Primo (Gardane) (French Tablature)
• Intabolatura di Iulio Abondante…de ogni Sortede Balli… Libro Primo (Gardane) (ItalianTablature)
• The Lute Forum: More Left Hand Exercises from Besard

• LSA Quarterly 2021, Supplement No 14

2020 – Volume 55, Nos. 3 & 4

• A Look to the Left: The Forgotten Hand — Sylvain Bergeron
• Francesco and the Company He Keeps — Sean Smith
• Photographing Your Lute — Lynda Sayce
• Discovering Heinrich Albert (1604–1651) — Mathias Rösel
• It Isn’t Always a Tieffenbrucker: The Rediscovery and Restoration of the Only (Known) Surviving Lute by Joseph Hellmer (Füssen, 1601) — Sigrun Richter & Nico van der Waals
• Some Notes on Rasgueado — Monica Hall

• LSA Quarterly 2020, Nos 3 & 4

2020 – Digital Supplement No. 13, Part 2

Supplement to LSAQ 2020 – Volume 55, Nos. 3 & 4

• Now Made Easy: Music from the Balcarres Manuscript
• It Isn’t Always a Tieffenbrucker: More About the Hellmer Lute
• The Joseph Hellmer Lute in the Lazzari Collection/Flute Museum—Sigrun Richter
• The Joseph Hellmer Lute as Witness to the Rebirth of Early Music in Italy in the 1960s—Gianni Lazzari
• Weiss: The Dresden Manuscript (Part 4)—Edited by Douglas Towne

• LSA Quarterly 2020, Supplement No 13 Pt. 2