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2019 – Digital Supplement No. 11, Part 2

by James F Carr | Dec 2, 2019

Supplement to LSAQ 2019 – Volume 54, No. 4

  • Music from Nuremberg 33748—Nancy Carlin
  • Examples of Concordances to Nuremberg 33748
  • LSA Quarterly 2019, Supplement No 11 – Part 2

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Online Lute Fest - Faculty Catherine Liddell has Online Lute Fest - Faculty Catherine Liddell has been active as a performer and teacher since returning from her studies at the Schola Cantorum Basilensis the mid 70s, after being the first American to earn a soloist diploma there. She has played theorbo with many of America’s leading period instrument ensembles, including  the Boston Early Music Festival Opera Orchestra, Apollo’s Fire, Tafelmusik, and the Folger Consort. Her  recording projects  have focused on 17th century French music and include La Belle Voilée. She has published Sacred Music for Lute, (Lyre Music Publications) and a series of seven articles on how to read from German tablature, in the LSA Quarterly.         She has taught lute at the San Francisco Conservatory, in the Five Colleges Early Music Program based at Mount Holyoke College, Massachusetts, and currently teaches in the Historical Performance Program at Boston University, and is President of the Lute Society of America.
The LSA Quarterly volume 57, Nos. 1 & 2 is out no The LSA Quarterly volume 57, Nos. 1 & 2 is out now! Join the LSA to have access to 40 pages of interesting articles about lutes and lute music. Articles in this issue: - Interview with Jiří Tichota on the Occasion of the Publication of Codex Jacobides—Jan Čižmář - Une délicatesse merveillieuse: Valentin Strobel, Forgotten Master of the Lute Part I: Extended Family and An Overview of the Darmstadt Court—Tobias Tietze - Francesco Tribioli: The Man Behind Fronimo Software—Sean Smith - Lute Players of the Past: What Instruments Did They Have? Part 3—Joël Dugot - The Editions of Pierre Phalèse and Sons and the Passemezo Antico for Lute, 1563–1592—Sean Smith - An Introduction to Early Music Improvisation—Tina Chancey - A Padoana Francese for Guitar or Lute—Sean Smith https://lutesocietyofamerica.org/quarterly/2022-volume-57-nos-1-2/ #lsa #lutesociety #lute #renaissancemusic #baroquemusic #baroque #vihuela #earlymusic instruments
Lucas Harris studied the lute at the Civica scuola Lucas Harris studied the lute at the Civica scuola di musica di Milano and at the Hochschule für Künste, Bremen. Since 2004 he has been based in Toronto, where he is the regular lutenist for Tafelmusik Baroque Orchestra. He is a founding member of the Toronto Continuo Collective, the Vesuvius Ensemble (Southern Italian folk music), and the Lute Legends Collective (working with specialists in ancient plucked-string traditions from diverse cultures).
Faculty - Online Lute Fest Bor Zuljan is active i Faculty - Online Lute Fest Bor Zuljan is active in different musical genres playing many kinds of early, modern and traditional plucked-strings instruments. Called the "Revolutionary of the lute" (Le Soir), he's been rediscovering forgotten improvisation and playing techniques, instruments and sounds, always expanding the palette of possibilities. He is performing regularly as soloist and with ensembles, such as Doulce Mémoire, Tasto Solo, Graindelavoix, L'Achéron, Vox Luminis, Il Giardino Armonico, with the Teofilovići twins, in duo with Dušan Bogdanović, with Romain Bockler (Dulces Exuviae) as well as with his ensemble La Lyra.
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