2007 – Volume 42, No. 1

• Some 18th Century German Sources for Right Hand Placement and Fingering – Robert Barto
• Just How Secret Were Those Muses? – Pat O’Brien
• A Brief Introduction to Chamber Music for Baroque Lute – Earl Christy
• Beyond the Basics: How to Change a Habit, How to Change Your Playing – Ronn McFarlane

• LSA Quarterly 2007, No 1

2006 – Volume 41, No. 4

• Lute Realizations for the English Cavalier Songs: A guide for Performers
• Eight Preludes from German Tablature Sources
• Renaissance German, English and Italian Polyphony

• LSA Quarterly 2006, No 4

2006 – Volume 41, No. 3

• An Interview with John Renbourn
• Francesco Corbetta’s Missing Guitar Books
• 2006 LSA Summer Seminar- Cleveland, Ohio
• Early Guitar Technique: A Little Advice
• How to Practice – Beyond the Basics
• Caron-An Anonymous French Composer

• LSA Quarterly 2006, No 3

2006 – Volume 41, No. 2

• Terzi’s Intabulations
• ‘Galant’ Continuo
• The London Manuscript Unveiled: the 35 Individual Pieces
• The Hinge Bar-Beyond the Basics
• Guillaume DuFay, a Remarkable Composer
• Two Bicina by Orlando di Lasso – Daniel Heiman

• LSA Quarterly 2006, No 2

2006 – Volume 41, No. 1

• Sources of Early Italian Renaissance Lute Music 1480-1530
• A Pange Lingua Intabulation from the Stefan Craus Lute Book
• Music for Lent
• San Francisco Opera’s Rodelinda and Itinerant Theorbist Richard Savino
• Brandes from the Lute Book of Johann Thys
• Gilles Binchois Early 15th Century Songwriter

• LSA Quarterly 2006, No 1

2005 – Volume 40, No. 4

• Beyond the Basics: Left Hand Shifts – Ronn McFarlane
• Conrad Paumann- a Mid-15th Century Lutenist
• Three Pieces from the “Blindhamer” Manuscript
• Music by Josquin Desprez, Han Newsidler, Melchoir Newsidler, J. S. Bach & Esias Reusner
• German Lute Solos from Ludwig Iselin’s Lute Book

• LSA Quarterly 2005, No 4

Errata

p. 25: the first line of Hans Newsidler’s setting of the Lied, Ich bin ein Fischer auff einem See, for which the rhythm symbols were incorrect.

2005 – Volume 40, No. 3

• Lute Seminars 2005
• Matteis and Seventeenth-Century Guitar Accompaniment
• Three Ballades by Walter Frye
• Beyond the Basics: Rolling Chords – Ronn McFarlane
• Weiss or Questenberg?

• LSA Quarterly 2005, No 3

2005 – Volume 40, No. 2

• An Interview with Crawford Young
• Modes and Rhetoric in Early Opera
• Building a Matched Set of Vihuelas
• The Duets of Valderrabano
• The Fernandez de Cordoba Vihuela Books
• Beyond the Basics: Surviving a Scale Burst
• When is a Quote Not a Quote? – Evan Plommer

• LSA Quarterly 2005, No 2

2005 – Volume 40, No. 1

• Remembering Dawn Culbertson
• An Interview with Hopkinson Smith
• Beyond the Basics: Painting the Music – Ronn McFarlane
• Singing to the Lute – Denys Stevens
• Anonymous Variations on Two Ballad Tunes – John H. Robinson

• LSA Quarterly 2005, No 1

Errata

p. 16: the first line of Robert Johnson’s The Fairies’ Masque, printed there with the rhythm symbols cut off (PDF, 17.4 KB).

p. 41: Le Tombeau de Louis Frechette by Yves Patry, originally printed without the rhythm symbols.

2004 – Volume 39, No. 4

• Winter Holiday Music Issue

• LSA Quarterly 2004, No 4