•  “The Early History of the Lute” p1 – Diana Poulton
  • “An Intabulation for Contrabass Lute?” p22 – David Nutter
  • “‘The Highest Key of Passion:’  Inexpressibility and Metaphors of Self in John Dowland’s First Book of Songes or Ayres” p46 – Daniel T. Fischlin
  • “Remarks on Gallot Sources:  How Tablatures Differ” p87 – Wallace J. Rave
  •  “Melchior Neusidler:  Intabulation and Transcription” p108 – Charles Jacobs
  • “Texture in French Baroque Lute Music and Related Ensemble Repertories” p120 – David J. Buch
  • Review of Dance Rhythms of the French Baroque:  a Handbook for Performance by Betty Bang Mather with Dean M. Karns  p155 – Rederick Hammond
  • Review of Continuo Playing on the Lute, Archlute and Theorbo by Nigel North  p157 – Kevin Mason
  • Review of Harpsichord and Lute Music in 17th-Century France by David Ledbetter  p162 – David J. Buch
  • Review of Tablature de luth Italienne dit Siena Manuscrit (ca. 1560-1570), introduction, concordances & index by Arthur J. Ness  p165 – Dinko Fabris
  • Review of The Königsberg Manuscript, introduction, inventory & index by Arthur J. Ness and John M. Ward  p170 – Julia Craig-McFeeley
  • Corrections to his article “‘The Consent of Speaking Harmony:’   The Literary Aesthetics of the English Air” in Volume XIX  p192 – Daniel T. Fischlin