• Interview with Jiří Tichota on the Occasion of the Publication of Codex Jacobides — Jan Čižmář
  • Une délicatesse merveillieuse: Valentin Strobel, Forgotten Master of the Lute Part I: Extended Family and An Overview of the Darmstadt Court — Tobias Tietze
  • Francesco Tribioli: The Man Behind Fronimo Software — Sean Smith
  • Lute Players of the Past: What Instruments Did They Have? Part 3 — Joël Dugot
  • The Editions of Pierre Phalèse and Sons and the Passemezo Antico for Lute, 1563–1592 — Sean Smith
  • An Introducton to Early Music Improvisation — Tina Chancey
  • A Padoana Francese for Guitar or Lute — Sean Smith

Supplement to LSAQ 2022 – Volume 57, Nos. 1 & 2

  • Lute Players of the Past: What Instruments Did They Have? Part 3, More Pictures — Joël Dugot
  • Jiří Tichota: Biography and Publications
  • Prelude for Theorbo, Robert deVisée
  • Now Made Easy — Arranged by Gail Gillispie
  • A Padoana Francese for Guitar or Lute — Sean Smith
  • The Editions of Pierre Phalèse and Sons and the Passemezo Antico for Lute, 1563–1592 — Sean Smith
  • Sultzbach’s 1536 Edition of Works by Francesco da Milano: A Case for Re-Ordering Francesco’s Catalog — Anna F. Porcaro
  • The Lute Music Published by Pierre Phalèse, 1545–c.1575: A New Comprehensive Edition — Jan Burgers
  • Lute Players of the Past: What Instruments Did They Have? Part 2 — Joël Dugot
  • Two Marais Pieces Arranged for Theorbo — Catherine Liddell
  • “Dolmetsch Manuscript” GB-Had Ms.II.B1 — Nancy Carlin
  • Three Lute Songs — George Moss

Supplement to LSAQ 2021 – Volume 56, No. 4

  • Symposium: John Dowland’s Activities on the Continent—Jeremy A. Bass
  • Statement of Financial Position & Activity—Year End March 31, 2022
  • Now Made Easy: Pieces from the “Stobaeus Manuscript” Sloane 1021
  • Source Material for Now Made Easy Pieces from the “Stobaeus Manuscript” Sloane 1021
  • Two Marais Pieces Arranged for Theorbo—Catherine Liddell
  • Three Lute Songs—George Moss
  • Pieces from the “Dolmetsch Manuscript,” GB-Had Ms.II.B1—Nancy Carlin
  • Bor Zuljan — Interviewed by Sean Smith
  • Genua F.VII.1 as a Source for the “Donaueschingen Lute Book” — Andre Nieuwlaat
  • Lute Players of the Past: What Instruments Did They Have? Part 1 — Joël Dugot
  • The Ukrainian National Anthem “Shche Ne Vmerta” for Renaissance & Baroque Lutes — Jacobus Olevsiensis, Arranged by Roman Turovsky
  • The Evolution of a Virtual LSA Chapter — Scott Saari and John Orluk-Lacombe
  • Music from the Fitzwilliam Virginal Book Arranged for Lute — Nancy Carlin
  • A Collection of Lute-Songs Taken from Pratum Musicum, 1584 by Emmanuel Adriaensen — Sean Smith
  • “Four-Sided Stage” — Lukas Henning
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2022 – Volume 57, Nos. 1 & 2

  • Interview with Jiří Tichota on the Occasion of the Publication of Codex Jacobides — Jan Čižmář
  • Une délicatesse merveillieuse: Valentin Strobel, Forgotten Master of the Lute Part I: Extended Family and An Overview of the Darmstadt Court — Tobias Tietze
  • Francesco Tribioli: The Man Behind Fronimo Software — Sean Smith
  • Lute Players of the Past: What Instruments Did They Have? Part 3 — Joël Dugot
  • The Editions of Pierre Phalèse and Sons and the Passemezo Antico for Lute, 1563–1592 — Sean Smith
  • An Introducton to Early Music Improvisation — Tina Chancey
  • A Padoana Francese for Guitar or Lute — Sean Smith

2022 – Digital Supplement No. 17

Supplement to LSAQ 2022 – Volume 57, Nos. 1 & 2

  • Lute Players of the Past: What Instruments Did They Have? Part 3, More Pictures — Joël Dugot
  • Jiří Tichota: Biography and Publications
  • Prelude for Theorbo, Robert deVisée
  • Now Made Easy — Arranged by Gail Gillispie
  • A Padoana Francese for Guitar or Lute — Sean Smith
  • The Editions of Pierre Phalèse and Sons and the Passemezo Antico for Lute, 1563–1592 — Sean Smith

2021 – Volume 56, No. 4

  • Sultzbach’s 1536 Edition of Works by Francesco da Milano: A Case for Re-Ordering Francesco’s Catalog — Anna F. Porcaro
  • The Lute Music Published by Pierre Phalèse, 1545–c.1575: A New Comprehensive Edition — Jan Burgers
  • Lute Players of the Past: What Instruments Did They Have? Part 2 — Joël Dugot
  • Two Marais Pieces Arranged for Theorbo — Catherine Liddell
  • “Dolmetsch Manuscript” GB-Had Ms.II.B1 — Nancy Carlin
  • Three Lute Songs — George Moss

2021 – Digital Supplement No. 16

Supplement to LSAQ 2021 – Volume 56, No. 4

  • Symposium: John Dowland’s Activities on the Continent—Jeremy A. Bass
  • Statement of Financial Position & Activity—Year End March 31, 2022
  • Now Made Easy: Pieces from the “Stobaeus Manuscript” Sloane 1021
  • Source Material for Now Made Easy Pieces from the “Stobaeus Manuscript” Sloane 1021
  • Two Marais Pieces Arranged for Theorbo—Catherine Liddell
  • Three Lute Songs—George Moss
  • Pieces from the “Dolmetsch Manuscript,” GB-Had Ms.II.B1—Nancy Carlin

2021 – Volume 56, Nos. 2 & 3

  • Bor Zuljan — Interviewed by Sean Smith
  • Genua F.VII.1 as a Source for the “Donaueschingen Lute Book” — Andre Nieuwlaat
  • Lute Players of the Past: What Instruments Did They Have? Part 1 — Joël Dugot
  • The Ukrainian National Anthem “Shche Ne Vmerta” for Renaissance & Baroque Lutes — Jacobus Olevsiensis, Arranged by Roman Turovsky
  • The Evolution of a Virtual LSA Chapter — Scott Saari and John Orluk-Lacombe
  • Music from the Fitzwilliam Virginal Book Arranged for Lute — Nancy Carlin
  • A Collection of Lute-Songs Taken from Pratum Musicum, 1584 by Emmanuel Adriaensen — Sean Smith
  • “Four-Sided Stage” — Lukas Henning

2021 – Digital Supplement No. 15

Supplement to LSAQ 2021 – Volume 56, Nos. 2 & 3

  • Now Made Easy: Laudon Schuett
  • Lute Players of the Past: What Instruments Did They Have? Part 1: Additional Pictures—Joël Dugot
  • Music from the Fitzwilliam Virginal Book Arranged for Lute—Nancy Carlin
  • A Collection of Lute Songs Taken from Pratum Musicum (1584), by Emmanuel Adriaensen
  • A Collection of Lute Solos from Pratum Musicum (1584) by Emmanuel Adriaenssen—Sean Smith
  • Genua Ms. F.VII.1, as a Source for the “Donauschingen Lute Book”—Andre Nieuwlaat

2021 – Volume 56, No. 1

  • Sweeter than Sheep: An Invitation to Fingerstyle Wire Strings — Taro Takeuchi
  • The Wire Connection: Hidden Ensembles? Lute and Cittern in the “Willoughby Lute Book” — Andrew Hartig
  • Divine Harmonie, Psalms, and Airs Spirituels in France During the Sixteenth and Seventeenth Centuries — Jean-Marie Poirier
  • The Fresneau Project — Edward Martin
  • Antonio Corona-Alcalde, a Luminary Departed — John Griffiths
  • A Caution of Bar Lines: da Crema and Abondante — Sean Smith

2021 – Digital Supplement No. 14

Supplement to LSAQ 2021 – Volume 56, No. 1

  • Now Made Easy: Duets Arranged for Equal Lutes from the “Swan Manuscript”
  • Source Materials for Duets from the “Swan Manuscript”
  • A Brief Note on the Lute and Cittern Parts (Supplement to Hidden Ensembles? Lute and Cittern in the “Willoughby Lute Book”)—Andrew Hartig
  • Supplemental to Divine Harmonie: Psalms and Airs Spirituels in France During the Sixteenth and Seventeenth Centuries—Jean-Marie Poirier
  • Supplement to The Fresneau Project: Fresneau’s “Chaconne”—Edward Martin
  • Supplemental Music and Images to Go with “Sweeter than Sheep:” An Invitation To Fingerstyle-Wire Strings—Taro Takeuchi
  • Intabolatura di Iulio Abondante…de ogni Sortede Balli… Libro Primo (Gardane) (French Tablature)
  • Intabolatura di Iulio Abondante…de ogni Sortede Balli… Libro Primo (Gardane) (ItalianTablature)
  • The Lute Forum: More Left Hand Exercises from Besard

2020 – Volume 55, Nos. 3 & 4

  • A Look to the Left: The Forgotten Hand — Sylvain Bergeron
  • Francesco and the Company He Keeps — Sean Smith
  • Photographing Your Lute — Lynda Sayce
  • Discovering Heinrich Albert (1604–1651) — Mathias Rösel
  • It Isn’t Always a Tieffenbrucker: The Rediscovery and Restoration of the Only (Known) Surviving Lute by Joseph Hellmer (Füssen, 1601) — Sigrun Richter & Nico van der Waals
  • Some Notes on Rasgueado — Monica Hall

2020 – Digital Supplement No. 13, Part 2

Supplement to LSAQ 2020 – Volume 55, Nos. 3 & 4

  • Now Made Easy: Music from the Balcarres Manuscript
  • It Isn’t Always a Tieffenbrucker: More About the Hellmer Lute
    • The Joseph Hellmer Lute in the Lazzari Collection/Flute Museum—Sigrun Richter
    • The Joseph Hellmer Lute as Witness to the Rebirth of Early Music in Italy in the 1960s—Gianni Lazzari
  • Weiss: The Dresden Manuscript (Part 4)—Edited by Douglas Towne
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