• Sultzbach’s 1536 Edition of Works by Francesco da Milano: A Case for Re-Ordering Francesco’s Catalog — Anna F. Porcaro
  • The Lute Music Published by Pierre Phalèse, 1545–c.1575: A New Comprehensive Edition — Jan Burgers
  • Lute Players of the Past: What Instruments Did They Have? Part 2 — Joël Dugot
  • Two Marais Pieces Arranged for Theorbo — Catherine Liddell
  • “Dolmetsch Manuscript” GB-Had Ms.II.B1 — Nancy Carlin
  • Three Lute Songs — George Moss
  • Supplement to LSAQ 2021 – Volume 56, No. 4
  • Bor Zuljan — Interviewed by Sean Smith
  • Genua F.VII.1 as a Source for the “Donaueschingen Lute Book” — Andre Nieuwlaat
  • Lute Players of the Past: What Instruments Did They Have? Part 1 — Joël Dugot
  • The Ukrainian National Anthem “Shche Ne Vmerta” for Renaissance & Baroque Lutes — Jacobus Olevsiensis, Arranged by Roman Turovsky
  • The Evolution of a Virtual LSA Chapter — Scott Saari and John Orluk-Lacombe
  • Music from the Fitzwilliam Virginal Book Arranged for Lute — Nancy Carlin
  • A Collection of Lute-Songs Taken from Pratum Musicum, 1584 by Emmanuel Adriaensen — Sean Smith
  • “Four-Sided Stage” — Lukas Henning
  • Supplement to LSAQ 2021 – Volume 56, Nos. 2 & 3
  • Sweeter than Sheep: An Invitation to Fingerstyle Wire Strings — Taro Takeuchi
  • The Wire Connection: Hidden Ensembles? Lute and Cittern in the “Willoughby Lute Book” — Andrew Hartig
  • Divine Harmonie, Psalms, and Airs Spirituels in France During the Sixteenth and Seventeenth Centuries — Jean-Marie Poirier
  • The Fresneau Project — Edward Martin
  • Antonio Corona-Alcalde, a Luminary Departed — John Griffiths
  • A Caution of Bar Lines: da Crema and Abondante — Sean Smith
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2021 – Volume 56, No. 4

  • Sultzbach’s 1536 Edition of Works by Francesco da Milano: A Case for Re-Ordering Francesco’s Catalog — Anna F. Porcaro
  • The Lute Music Published by Pierre Phalèse, 1545–c.1575: A New Comprehensive Edition — Jan Burgers
  • Lute Players of the Past: What Instruments Did They Have? Part 2 — Joël Dugot
  • Two Marais Pieces Arranged for Theorbo — Catherine Liddell
  • “Dolmetsch Manuscript” GB-Had Ms.II.B1 — Nancy Carlin
  • Three Lute Songs — George Moss

2021 – Volume 56, Nos. 2 & 3

  • Bor Zuljan — Interviewed by Sean Smith
  • Genua F.VII.1 as a Source for the “Donaueschingen Lute Book” — Andre Nieuwlaat
  • Lute Players of the Past: What Instruments Did They Have? Part 1 — Joël Dugot
  • The Ukrainian National Anthem “Shche Ne Vmerta” for Renaissance & Baroque Lutes — Jacobus Olevsiensis, Arranged by Roman Turovsky
  • The Evolution of a Virtual LSA Chapter — Scott Saari and John Orluk-Lacombe
  • Music from the Fitzwilliam Virginal Book Arranged for Lute — Nancy Carlin
  • A Collection of Lute-Songs Taken from Pratum Musicum, 1584 by Emmanuel Adriaensen — Sean Smith
  • “Four-Sided Stage” — Lukas Henning

2021 – Volume 56, No. 1

  • Sweeter than Sheep: An Invitation to Fingerstyle Wire Strings — Taro Takeuchi
  • The Wire Connection: Hidden Ensembles? Lute and Cittern in the “Willoughby Lute Book” — Andrew Hartig
  • Divine Harmonie, Psalms, and Airs Spirituels in France During the Sixteenth and Seventeenth Centuries — Jean-Marie Poirier
  • The Fresneau Project — Edward Martin
  • Antonio Corona-Alcalde, a Luminary Departed — John Griffiths
  • A Caution of Bar Lines: da Crema and Abondante — Sean Smith

2020 – Volume 55, Nos. 3 & 4

  • A Look to the Left: The Forgotten Hand — Sylvain Bergeron
  • Francesco and the Company He Keeps — Sean Smith
  • Photographing Your Lute — Lynda Sayce
  • Discovering Heinrich Albert (1604–1651) — Mathias Rösel
  • It Isn’t Always a Tieffenbrucker: The Rediscovery and Restoration of the Only (Known) Surviving Lute by Joseph Hellmer (Füssen, 1601) — Sigrun Richter & Nico van der Waals
  • Some Notes on Rasgueado — Monica Hall

2020 – Volume 55, Nos. 1 & 2

  • “Loth to Depart”: Remembering Julian Bream, 1933-2020 – Victor Coelho with Memories from Arthur J. Ness, Edward Martin, and Catherine Liddell
  • Frank Wallace: November 22, 1952–June 2, 2020 – David Dolata, Douglas Freundlich, Nancy Knowles, and Joel van Lennep
  • Stephen Barber, Lute Maker: February 3, 1952–September 19, 2020 – Lynda Sayce with Memories from Gary Boye, Dan Winheld, and Denys Stephens
  • Albert Reyerman—The Passing of a Pioneer Publisher — John Griffiths
  • The Rasgueado Technique, Part 6: Trio Rasgueado IV: Cuatrillo — Pablo Zapico
  • Lutes and Plectrums, Nails, Metal Strings: Historical Sources and Considerations — Francesca Torelli
  • Francesco at Fifty — John Griffiths, Mathias Rösel, and Nancy Carlin
  • Laudon Schuett: Composer — Interviewed by Sean Smith
  • The Solo Lute Works of Joanne Maria Matelart — Sean Smith
  • Lutes with Golden Roses — Mathias Rösel
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