Interview with Jiří Tichota on the Occasion of the Publication of Codex Jacobides — Jan Čižmář
Une délicatesse merveillieuse: Valentin Strobel, Forgotten Master of the Lute Part I: Extended Family and An Overview of the Darmstadt Court — Tobias Tietze
Francesco Tribioli: The Man Behind Fronimo Software — Sean Smith
Lute Players of the Past: What Instruments Did They Have? Part 3 — Joël Dugot
The Editions of Pierre Phalèse and Sons and the Passemezo Antico for Lute, 1563–1592 — Sean Smith
An Introducton to Early Music Improvisation — Tina Chancey
A Padoana Francese for Guitar or Lute — Sean Smith
Supplement to LSAQ 2022 – Volume 57, Nos. 1 & 2
Lute Players of the Past: What Instruments Did They Have? Part 3, More Pictures — Joël Dugot
Jiří Tichota: Biography and Publications
Prelude for Theorbo, Robert deVisée
Now Made Easy — Arranged by Gail Gillispie
A Padoana Francese for Guitar or Lute — Sean Smith
The Editions of Pierre Phalèse and Sons and the Passemezo Antico for Lute, 1563–1592 — Sean Smith
Sultzbach’s 1536 Edition of Works by Francesco da Milano: A Case for Re-Ordering Francesco’s Catalog — Anna F. Porcaro
The Lute Music Published by Pierre Phalèse, 1545–c.1575: A New Comprehensive Edition — Jan Burgers
Lute Players of the Past: What Instruments Did They Have? Part 2 — Joël Dugot
Two Marais Pieces Arranged for Theorbo — Catherine Liddell
“Dolmetsch Manuscript” GB-Had Ms.II.B1 — Nancy Carlin
Three Lute Songs — George Moss Supplement to LSAQ 2021 – Volume 56, No. 4
Symposium: John Dowland’s Activities on the Continent—Jeremy A. Bass
Statement of Financial Position & Activity—Year End March 31, 2022
Now Made Easy: Pieces from the “Stobaeus Manuscript” Sloane 1021
Source Material for Now Made Easy Pieces from the “Stobaeus Manuscript” Sloane 1021
Two Marais Pieces Arranged for Theorbo—Catherine Liddell
Three Lute Songs—George Moss
Pieces from the “Dolmetsch Manuscript,” GB-Had Ms.II.B1—Nancy Carlin Bor Zuljan — Interviewed by Sean Smith
Genua F.VII.1 as a Source for the “Donaueschingen Lute Book” — Andre Nieuwlaat
Lute Players of the Past: What Instruments Did They Have? Part 1 — Joël Dugot
The Ukrainian National Anthem “Shche Ne Vmerta” for Renaissance & Baroque Lutes — Jacobus Olevsiensis, Arranged by Roman Turovsky
The Evolution of a Virtual LSA Chapter — Scott Saari and John Orluk-Lacombe
Music from the Fitzwilliam Virginal Book Arranged for Lute — Nancy Carlin
A Collection of Lute-Songs Taken from Pratum Musicum, 1584 by Emmanuel Adriaensen — Sean Smith
“Four-Sided Stage” — Lukas Henning
Interview with Jiří Tichota on the Occasion of the Publication of Codex Jacobides — Jan Čižmář
Une délicatesse merveillieuse: Valentin Strobel, Forgotten Master of the Lute Part I: Extended Family and An Overview of the Darmstadt Court — Tobias Tietze
Francesco Tribioli: The Man Behind Fronimo Software — Sean Smith
Lute Players of the Past: What Instruments Did They Have? Part 3 — Joël Dugot
The Editions of Pierre Phalèse and Sons and the Passemezo Antico for Lute, 1563–1592 — Sean Smith
An Introducton to Early Music Improvisation — Tina Chancey
A Padoana Francese for Guitar or Lute — Sean Smith
Supplement to LSAQ 2022 – Volume 57, Nos. 1 & 2
Lute Players of the Past: What Instruments Did They Have? Part 3, More Pictures — Joël Dugot
Jiří Tichota: Biography and Publications
Prelude for Theorbo, Robert deVisée
Now Made Easy — Arranged by Gail Gillispie
A Padoana Francese for Guitar or Lute — Sean Smith
The Editions of Pierre Phalèse and Sons and the Passemezo Antico for Lute, 1563–1592 — Sean Smith
Sultzbach’s 1536 Edition of Works by Francesco da Milano: A Case for Re-Ordering Francesco’s Catalog — Anna F. Porcaro
The Lute Music Published by Pierre Phalèse, 1545–c.1575: A New Comprehensive Edition — Jan Burgers
Lute Players of the Past: What Instruments Did They Have? Part 2 — Joël Dugot
Two Marais Pieces Arranged for Theorbo — Catherine Liddell
“Dolmetsch Manuscript” GB-Had Ms.II.B1 — Nancy Carlin
Three Lute Songs — George Moss
Supplement to LSAQ 2021 – Volume 56, No. 4
Symposium: John Dowland’s Activities on the Continent—Jeremy A. Bass
Statement of Financial Position & Activity—Year End March 31, 2022
Now Made Easy: Pieces from the “Stobaeus Manuscript” Sloane 1021
Source Material for Now Made Easy Pieces from the “Stobaeus Manuscript” Sloane 1021
Two Marais Pieces Arranged for Theorbo—Catherine Liddell
Three Lute Songs—George Moss
Pieces from the “Dolmetsch Manuscript,” GB-Had Ms.II.B1—Nancy Carlin
Bor Zuljan — Interviewed by Sean Smith
Genua F.VII.1 as a Source for the “Donaueschingen Lute Book” — Andre Nieuwlaat
Lute Players of the Past: What Instruments Did They Have? Part 1 — Joël Dugot
The Ukrainian National Anthem “Shche Ne Vmerta” for Renaissance & Baroque Lutes — Jacobus Olevsiensis, Arranged by Roman Turovsky
The Evolution of a Virtual LSA Chapter — Scott Saari and John Orluk-Lacombe
Music from the Fitzwilliam Virginal Book Arranged for Lute — Nancy Carlin
A Collection of Lute-Songs Taken from Pratum Musicum, 1584 by Emmanuel Adriaensen — Sean Smith
“Four-Sided Stage” — Lukas Henning
Supplement to LSAQ 2021 – Volume 56, Nos. 2 & 3
Now Made Easy: Laudon Schuett
Lute Players of the Past: What Instruments Did They Have? Part 1: Additional Pictures—Joël Dugot
Music from the Fitzwilliam Virginal Book Arranged for Lute—Nancy Carlin
A Collection of Lute Songs Taken from Pratum Musicum (1584), by Emmanuel Adriaensen
A Collection of Lute Solos from Pratum Musicum (1584) by Emmanuel Adriaenssen—Sean Smith
Genua Ms. F.VII.1, as a Source for the “Donauschingen Lute Book”—Andre Nieuwlaat
Sweeter than Sheep: An Invitation to Fingerstyle Wire Strings — Taro Takeuchi
The Wire Connection: Hidden Ensembles? Lute and Cittern in the “Willoughby Lute Book” — Andrew Hartig
Divine Harmonie, Psalms, and Airs Spirituels in France During the Sixteenth and Seventeenth Centuries — Jean-Marie Poirier
The Fresneau Project — Edward Martin
Antonio Corona-Alcalde, a Luminary Departed — John Griffiths
A Caution of Bar Lines: da Crema and Abondante — Sean Smith
Supplement to LSAQ 2021 – Volume 56, No. 1
Now Made Easy: Duets Arranged for Equal Lutes from the “Swan Manuscript”
Source Materials for Duets from the “Swan Manuscript”
A Brief Note on the Lute and Cittern Parts (Supplement to Hidden Ensembles? Lute and
Cittern in the “Willoughby Lute Book”)—Andrew Hartig
Supplemental to Divine Harmonie: Psalms and Airs Spirituels in France During the Sixteenth and Seventeenth Centuries—Jean-Marie Poirier
Supplement to The Fresneau Project: Fresneau’s “Chaconne”—Edward Martin
Supplemental Music and Images to Go with “Sweeter than Sheep:” An Invitation To Fingerstyle-Wire Strings—Taro Takeuchi
Intabolatura di Iulio Abondante…de ogni Sortede Balli… Libro Primo (Gardane) (French Tablature)
Intabolatura di Iulio Abondante…de ogni Sortede Balli… Libro Primo (Gardane) (ItalianTablature)
The Lute Forum: More Left Hand Exercises from Besard
A Look to the Left: The Forgotten Hand — Sylvain Bergeron Francesco and the Company He Keeps — Sean Smith Photographing Your Lute — Lynda Sayce Discovering Heinrich Albert (1604–1651) — Mathias Rösel It Isn’t Always a Tieffenbrucker: The Rediscovery and Restoration of the Only (Known) Surviving Lute by Joseph Hellmer (Füssen, 1601) — Sigrun Richter & Nico van der Waals Some Notes on Rasgueado — Monica Hall
Supplement to LSAQ 2020 – Volume 55, Nos. 3 & 4
Now Made Easy: Music from the Balcarres Manuscript
It Isn’t Always a Tieffenbrucker: More About the Hellmer Lute
The Joseph Hellmer Lute in the Lazzari Collection/Flute Museum—Sigrun Richter
The Joseph Hellmer Lute as Witness to the Rebirth of Early Music in Italy in the 1960s—Gianni Lazzari Weiss: The Dresden Manuscript (Part 4)—Edited by Douglas Towne
