LSA Quarterly & Digital Supplement

The LSA Quarterly and Digital Supplement are members-only publications.  To view or download an issue, you must be logged in and have a valid LSA membership.

If you are interested in writing an article for the Quarterly, please contact Nancy Carlin at administrator@lutesocietyofamerica.org. For the LSA Style Guide, please see our Author Resources page.

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2018 – Volume 53, No. 1

  • Douglas Alton Smith (1944-2018) — Peter Danner, Albert Reyerman, Timothy Swain, Michael Miranda, Allen Krantz, and Kate Benessa
  • Publications: Douglas Alton Smith — Arthur Ness and Kate Benessa
  • New Members on the LSA Team — John Griffith, Joe Harris, and Fiona Thistle
  • Arcana of Right-Hand Fingering in the Early 16th Century — Paul Beier
  • Introducing Lutes to the Next Generation — Braedon Hofmann
  • New Rental Lutes Donated by Jean Toombs

2017 – Volume 52, Number 4

  • The Angélique – Matthias Rösel
  • Building an Angélique: Wolfgang Emmerich – Interviewed by Mathias Rösel
  • Three Easy Spanish Pieces – Donna Curry
  • Revisiting Antiquity: A Frontispiece to Ernst Gottlieb Baron’s Book – Bernhard Fischer
  • A Practical Guide (More Or Less) To Setting Up Weekend Workshops For Lute Players – Michael Stover
  • Earl of Essex Galliard by John Dowland, arranged by Douglas Freundlich
  • The Lute Forum — Comments from Lute Teachers – Sylvain Bergeron, Christopher Wilke & Douglas Hensley
  • Reviews

2017 – Digital Supplement No. 5

Supplement to LSAQ 2017 – Volume 52, Number 4

  • Weiss: The London Manuscript (Part 2)—Douglas Towne
  • More Weekend Workshop Music
    • Vestiva i colli, Palestrina, arr. Douglas Freundlich
  • Dance Pieces by Pietro Paulo Borrono (Part 2)—Sean Smith
  • Angelique Music from Brno A 3 329—Mathias Rösel

2017 – Volume 52, No. 2 & 3

  • A Few Thoughts on Teaching (and Being a Student) at a Recent LSA Seminar—Sylvain Bergeron
  • Early Music in the Inner City—Philip Rosoff-Horne
  • Some Observations on the 16th-Century Lute: The Intarsia from the Chapel of Le Château de la Bastie d’Urfé—Marc Lewon
  • Borrono, Rotta & Pacolono: Playing Tips in “Roca el Fuso”—Sean Smith
  • A Kaleidoscope of Motives or Conscious Unity? A Formal Analysis of Motivic Development in John Dowland’s Chromatic Lute Fantasie “Farewell”—Katalin Koltai
  • Weiss: The London Manuscript—Joe Harris

2017 – Digital Supplement No. 4

Supplement to LSAQ 2017 – Volume 52, No. 2 & 3

  • Lute Intarsia from the Chapel of Le Château de la Bastie d’Urfé—Photo by Marc Lewon
  • Pieces from the Balcarres Manuscript (Part 2) Edited with transcriptions for 10-course lute—Nancy Carlin
  • John Dowland’s “Farewell Fantasy”—Facsimile Sources
  • Weiss: the London Manuscript (Part 1)—Douglas Towne
  • Dance Pieces by Pietro Paulo Borrono—Sean Smith

2017 – Volume 52, No. 1

  • Tablature before 1400? Reflections on Lute-specific Notation and Boethian Roots — Crawford Young
  • Scottish Music from the Balcarres Lute Book — Nancy Carlin
  • The Lost Tradition of Lute Quartets — Jean-Marie Poirier

2016 – Volume 51, No. 4

  • The Complete Works of Jacques St. Luc — Douglas Towne
  • A Brief History of St. Luc — Edward Martin
  • Being a Lutenist in the Information Age — Lukas Henning
  • Non-lute Music for Lutenists: Giovanni Bassano — Sean Smith
  • 3 Early Romanescas

2016 – Digital Supplement No. 2

Supplement to LSAQ 2016 – Volume 51, No. 4

  • Pieces for Lute by Jacques Alexandre de St. Luc (Part 2)—Douglas Towne
  • Pieces in Trasitional Tunings from the Jane Pickering Manuscript—Mathias Rösel
  • Pieces from Giovanni Bassano Ricercate/Passaggi et Cadentie 1585 Sean Smith
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