2018 – Volume 53, No. 4

• The Rasgueado Technique, Part 2: Tresillo — Pablo Zapico
• “Arthur’s Dump” from Lute to Nuts — Peter Hallifax
• Early and Idyllic — Neil Stylinski
• Marketing: A Player and Agent Talk Strategy — Nancy Carlin & Ronn McFarlane

• LSA Quarterly 2018, No 4

2018 – Digital Supplement No. 8

Supplement to LSAQ 2018 – Volume 53, No. 4

• Four Napolitane by Adrian Willaert as Intabulated by Julio Abondante—Sean Smith
• Music to Accompany “‘Arthur’s Dump’ from Lute to Nuts”—Peter Hallifax
• Weiss: The London Manuscript (Part 5)—Douglas Towne

• LSA Quarterly 2019, Supplement No 8

2018 – Volume 53, No. 2&3

• The Rasgueado Technique, Part I — Pablo Zapico
• Alternative Audiences: School Kids, Seniors & Prisoners — Madeleine Owen
• A Minstrel and a Giraffe Walk into a Bar . . . — Ryan Closs
• Jean-Paul Paladin — Douglas Alton Smith
• A Short Talk with Visiting Artist Bor Zuljan — Sean Smith
• René Mésangeau and His Tombeaux . . . for One or Two Lutes — Jean-Marie Poirier
• Who Wants to Be a Millionaire? — Elizabeth Kenny

• LSA Quarterly 2018, No 2 & No 3

2018 – Digital Supplement No. 7

Supplement to LSAQ 2018 – Volume 53, No. 2 & 3

• Music to Accompany “A Minstrel and a Giraffe Walk into a Bar . . .”—Ryan Closs
• Music to Accompany René Mésangeau and his Tombeaux . . . for or Two Lutes—Jean-Marie Poirier
• Music to Accompany Alternative Audiences: School Kids, Seniors & Prisoners—Madeleine Owen
• Weiss: The London Manuscript (Part 4)—Douglas Towne
• Music to accompany Jean-Paul Paladin by Douglas Alton Smith
• Paladin’s, Livre de Tablature. . . Lyon, 1560—Sean Smith

• LSA Quarterly 2019, Supplement No 7

2018 – Volume 53, No. 1

• Douglas Alton Smith (1944-2018) — Peter Danner, Albert Reyerman, Timothy Swain, Michael Miranda, Allen Krantz, and Kate Benessa
• Publications: Douglas Alton Smith — Arthur Ness and Kate Benessa
• New Members on the LSA Team — John Griffith, Joe Harris, and Fiona Thistle
• Arcana of Right-Hand Fingering in the Early 16th Century — Paul Beier
• Introducing Lutes to the Next Generation — Braedon Hofmann
• New Rental Lutes Donated by Jean Toombs

• LSA Quarterly 2018, No 1

2018 – Digital Supplement No. 6

Supplement to LSAQ 2018 – Volume 53, No. 1

• Pieces from the Vincenzo Capirola Lute Book.
• Weiss: The London Manuscript (Part 3)—Douglas Towne
• Douglas A. Smith on Thomas Robinson in History of the Lute—Duets from Robinson

• LSA Quarterly 2018, Supplement No 6

2017 – Volume 52, Number 4

• The Angélique – Matthias Rösel
• Building an Angélique: Wolfgang Emmerich – Interviewed by Mathias Rösel
• Three Easy Spanish Pieces – Donna Curry
• Revisiting Antiquity: A Frontispiece to Ernst Gottlieb Baron’s Book – Bernhard Fischer
• A Practical Guide (More Or Less) To Setting Up Weekend Workshops For Lute Players – Michael Stover
• Earl of Essex Galliard by John Dowland, arranged by Douglas Freundlich
• The Lute Forum — Comments from Lute Teachers – Sylvain Bergeron, Christopher Wilke & Douglas Hensley
• Reviews

• LSA Quarterly 2017, No 4

2017 – Digital Supplement No. 5

Supplement to LSAQ 2017 – Volume 52, Number 4

• Weiss: The London Manuscript (Part 2)—Douglas Towne
• More Weekend Workshop Music
• Vestiva i colli, Palestrina, arr. Douglas Freundlich
• Dance Pieces by Pietro Paulo Borrono (Part 2)—Sean Smith
• Angelique Music from Brno A 3 329—Mathias Rösel

• LSA Quarterly 2019, Supplement No 5

2017 – Volume 52, No. 2 & 3

• A Few Thoughts on Teaching (and Being a Student) at a Recent LSA Seminar—Sylvain Bergeron
• Early Music in the Inner City—Philip Rosoff-Horne
• Some Observations on the 16th-Century Lute: The Intarsia from the Chapel of Le Château de la Bastie d’Urfé—Marc Lewon
• Borrono, Rotta & Pacolono: Playing Tips in “Roca el Fuso”—Sean Smith
• A Kaleidoscope of Motives or Conscious Unity? A Formal Analysis of Motivic Development in John Dowland’s Chromatic Lute Fantasie “Farewell”—Katalin Koltai
• Weiss: The London Manuscript—Joe Harris

• LSA Quarterly 2017, No 2 & No 3

2017 – Digital Supplement No. 4

Supplement to LSAQ 2017 – Volume 52, No. 2 & 3

• Lute Intarsia from the Chapel of Le Château de la Bastie d’Urfé—Photo by Marc Lewon
• Pieces from the Balcarres Manuscript (Part 2) Edited with transcriptions for 10-course lute—Nancy Carlin
• John Dowland’s “Farewell Fantasy”—Facsimile Sources
• Weiss: the London Manuscript (Part 1)—Douglas Towne
• Dance Pieces by Pietro Paulo Borrono—Sean Smith

• LSA Quarterly 2018, Supplement No 4