LSA Quarterly & Digital Supplement

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If you are interested in writing an article for the Quarterly, please contact Nancy Carlin at administrator@lutesocietyofamerica.org. For the LSA Style Guide, please see our Author Resources page.

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2018 – Volume 53, No. 4

  • The Rasgueado Technique, Part 2: Tresillo — Pablo Zapico
  • “Arthur’s Dump” from Lute to Nuts — Peter Hallifax
  • Early and Idyllic — Neil Stylinski
  • Marketing: A Player and Agent Talk Strategy — Nancy Carlin & Ronn McFarlane

2018 – Volume 53, No. 2&3

  • The Rasgueado Technique, Part I — Pablo Zapico
  • Alternative Audiences: School Kids, Seniors & Prisoners — Madeleine Owen
  • A Minstrel and a Giraffe Walk into a Bar . . . — Ryan Closs
  • Jean-Paul Paladin — Douglas Alton Smith
  • A Short Talk with Visiting Artist Bor Zuljan — Sean Smith
  • René Mésangeau and His Tombeaux . . . for One or Two Lutes — Jean-Marie Poirier
  • Who Wants to Be a Millionaire? — Elizabeth Kenny

2018 – Digital Supplement No. 7

Supplement to LSAQ 2018 – Volume 53, No. 2 & 3

  • Music to Accompany “A Minstrel and a Giraffe Walk into a Bar . . .”—Ryan Closs
  • Music to Accompany René Mésangeau and his Tombeaux . . . for or Two Lutes—Jean-Marie Poirier
  • Music to Accompany Alternative Audiences: School Kids, Seniors & Prisoners—Madeleine Owen
  • Weiss: The London Manuscript (Part 4)—Douglas Towne
  • Music to accompany Jean-Paul Paladin by Douglas Alton Smith
    • Paladin’s, Livre de Tablature. . . Lyon, 1560—Sean Smith

2018 – Volume 53, No. 1

  • Douglas Alton Smith (1944-2018) — Peter Danner, Albert Reyerman, Timothy Swain, Michael Miranda, Allen Krantz, and Kate Benessa
  • Publications: Douglas Alton Smith — Arthur Ness and Kate Benessa
  • New Members on the LSA Team — John Griffith, Joe Harris, and Fiona Thistle
  • Arcana of Right-Hand Fingering in the Early 16th Century — Paul Beier
  • Introducing Lutes to the Next Generation — Braedon Hofmann
  • New Rental Lutes Donated by Jean Toombs

2017 – Volume 52, Number 4

  • The Angélique – Matthias Rösel
  • Building an Angélique: Wolfgang Emmerich – Interviewed by Mathias Rösel
  • Three Easy Spanish Pieces – Donna Curry
  • Revisiting Antiquity: A Frontispiece to Ernst Gottlieb Baron’s Book – Bernhard Fischer
  • A Practical Guide (More Or Less) To Setting Up Weekend Workshops For Lute Players – Michael Stover
  • Earl of Essex Galliard by John Dowland, arranged by Douglas Freundlich
  • The Lute Forum — Comments from Lute Teachers – Sylvain Bergeron, Christopher Wilke & Douglas Hensley
  • Reviews

2017 – Digital Supplement No. 5

Supplement to LSAQ 2017 – Volume 52, Number 4

  • Weiss: The London Manuscript (Part 2)—Douglas Towne
  • More Weekend Workshop Music
    • Vestiva i colli, Palestrina, arr. Douglas Freundlich
  • Dance Pieces by Pietro Paulo Borrono (Part 2)—Sean Smith
  • Angelique Music from Brno A 3 329—Mathias Rösel

2017 – Volume 52, No. 2 & 3

  • A Few Thoughts on Teaching (and Being a Student) at a Recent LSA Seminar—Sylvain Bergeron
  • Early Music in the Inner City—Philip Rosoff-Horne
  • Some Observations on the 16th-Century Lute: The Intarsia from the Chapel of Le Château de la Bastie d’Urfé—Marc Lewon
  • Borrono, Rotta & Pacolono: Playing Tips in “Roca el Fuso”—Sean Smith
  • A Kaleidoscope of Motives or Conscious Unity? A Formal Analysis of Motivic Development in John Dowland’s Chromatic Lute Fantasie “Farewell”—Katalin Koltai
  • Weiss: The London Manuscript—Joe Harris

2017 – Digital Supplement No. 4

Supplement to LSAQ 2017 – Volume 52, No. 2 & 3

  • Lute Intarsia from the Chapel of Le Château de la Bastie d’Urfé—Photo by Marc Lewon
  • Pieces from the Balcarres Manuscript (Part 2) Edited with transcriptions for 10-course lute—Nancy Carlin
  • John Dowland’s “Farewell Fantasy”—Facsimile Sources
  • Weiss: the London Manuscript (Part 1)—Douglas Towne
  • Dance Pieces by Pietro Paulo Borrono—Sean Smith
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