10:00–11:30AM
Joachim Held
Expressivity in Renaissance and Baroque Music for the lute
Already in the Renaissance the Eloquence was an integral part of the interpretation. To move the listener to convince with the playing was one of the main goals for the interpretation which was based on Rhetoric principles. In my talk I would like to share some thoughts on the sources which explicitly mention this. What does this mean for us today?
10:00–11:30AM
Mara Winter
High-quality, low-budget: an update 2025: Session 2 – Audio Basics
This will be a companion class to the first session about video production, but participants are welcome to join without having attended the previous video session. We will talk about the best way to improve the quality of your self-produced audio recordings. We will cover basic equipment, microphone placement and do’s-and-don’ts of recording sound.
12:30–2:00PM
Eduardo Egüez
Masterclass
Masterclasses are open to performers and auditors. If you wish to apply to perform in this masterclass, please be sure to check the box on the first page of this form. You will need to send an audition video to the Festival Director. More information will provided after registration.
3:00–4:30PM
Brandon Acker
Transitioning from guitar to theorbo
Learning theorbo as a classical guitarist can be daunting but it is doable! In this class, Brandon Acker will teach you how to successfully navigate through the basics of technique (nails vs no nails, right hand position, holding the instrument, etc…). He will also introduce the topic of playing basso continuo on theorbo.
3:00–4:30PM
Ronn McFarlane
The Sources of Scottish Lute Music
This class will be an exploration of the music in manuscripts that hold the 17th century Scottish lute repertory. These include the Pickering, Skene, Rowallan, Straloch, Wemyss and Balcarres lute books.