•  “Parody Versus Paraphrase in G.P. Paladino’s Fantasia on Alcun non puo saper”  p1 – Paul Martell
  •  “Collaboration Between Campion and Rosseter?”  p13 – Erik S. Ryding
  • “‘The Consent of Speaking Harmony:’  The Literary Aesthetics of the English Air”  p29 – Daniel T. Fischlin
  • “A Poet’s Description of the Lute Playing of Silvius Leopold Weiss, and a Possible Link Between Weiss and David Kellner”  p58 – Kenneth Sparr
  • “Arnolt Schlick’s Maria Zart for Lute and Voice:  Background, Sources, Performance”  p68 – Charles Turner
  • Review of Fabritio Caroso:  Nobilità di Dame:  A treatise on courtly dance…, transl., ed. & intro. Julia Sutton  p81 – Emma Lewis Thomas
  • Review of Guitar and Vihuela:  an Annotated Bibliography, by Meredith Alice McCutcheon  p84 – Craig Russell
  • Review of the facsimile edition of Henry Grenerin:  Livre de théorbe contenant plusiers pièces sur differens tons, avec une nouvelle méthode…  p88 – Kevin Mason
  • Review of the facsimile edition of Manuscrit Béthune.  Tablature d’angelique intro. by François Lesure  p91 – Wallace Rave
  • Communication in response to Victor Coelho’s article, “Studies in the Lute and Its Music” in Volume XVII/XVIII  p96 – Philippe Vendrix
  • Communication on creation of a RISM plucked-string catalog committee  p96 – Christian Meyer