- “Parody Versus Paraphrase in G.P. Paladino’s Fantasia on Alcun non puo saper” p1 – Paul Martell
- “Collaboration Between Campion and Rosseter?” p13 – Erik S. Ryding
- “‘The Consent of Speaking Harmony:’ The Literary Aesthetics of the English Air” p29 – Daniel T. Fischlin
- “A Poet’s Description of the Lute Playing of Silvius Leopold Weiss, and a Possible Link Between Weiss and David Kellner” p58 – Kenneth Sparr
- “Arnolt Schlick’s Maria Zart for Lute and Voice: Background, Sources, Performance” p68 – Charles Turner
- Review of Fabritio Caroso: Nobilità di Dame: A treatise on courtly dance…, transl., ed. & intro. Julia Sutton p81 – Emma Lewis Thomas
- Review of Guitar and Vihuela: an Annotated Bibliography, by Meredith Alice McCutcheon p84 – Craig Russell
- Review of the facsimile edition of Henry Grenerin: Livre de théorbe contenant plusiers pièces sur differens tons, avec une nouvelle méthode… p88 – Kevin Mason
- Review of the facsimile edition of Manuscrit Béthune. Tablature d’angelique intro. by François Lesure p91 – Wallace Rave
- Communication in response to Victor Coelho’s article, “Studies in the Lute and Its Music” in Volume XVII/XVIII p96 – Philippe Vendrix
- Communication on creation of a RISM plucked-string catalog committee p96 – Christian Meyer
