•  “A Chitarrone and Lute Manuscript for Stefano Pignatelli”  p1 – J. Michael Allsen
  • “Elias Mertel’s Hortus Musicalis Novus and Progressive Tendencies in the Late Renaissance Lute Fantasia”  p26 – John O. Robison
  • “Pietro Paolo Melii, Musician of Reggio Emilia”  p42 – Francesca Torelli
  •  “The Lute Collection of the Paris Museum of Musical Instruments:  Its Character, Formation and Development”  p50 – Florence Getreau
  • “Some Lutes in Paris Museums, Part 2”  p53 – Joël Dugot
  •  “A Computerized Approach to the Early Italian Lute Ricercar”  p106 – Richard d’A. Jensen
  •  “Transformation in Intabulation”  p114 – Hiroyuki Minamino
  • “Studies in the Lute and Its Music”  p118 – Victor Coelho
  • Review of Manuscrit Barbe, intro. Claude Chauvel  p133 – David J. Buch
  • Review of facsimile editions of Adam Falckenhagen:  Sonate di Liuto, Opera prima and Adam Falckenhagen:  Sei Partite a Liuto solo, Opera secunda  p134 – Richard K. Falkenstein
  • Review of facsimile editions of Franciscus Bossinensis:  Tenori e contrabassi intabulati col sopran in canto figurato per cantar e sonar col lauto, Libro primo and Franciscus Bossinensis:  Tenori e contrabassi intabulati col sopran in canto figurato per cantar e sonar col lauto, Libro secundo  p136 – Richard d’A. Jensen
  • Communication in response to Craig H. Russell’s articles “Santiago de Murcia: The French Connection in Baroque Spain” in Volume XV and “Fran?ois le Cocq’s Influence on Santiago de Murcia: Problems with Dates, Sources and Recomposition” in Volume XVI  p139 – Monica Hall
  • Rebuttal to Monica Hall’s Communication  p141 – Craig Russell
  • Communication in response to Joël Dugot’s article “Some Lutes in Paris Museums, Part 1” in Volume XVI  p142 – Donald Gill