- “A Chitarrone and Lute Manuscript for Stefano Pignatelli” p1 – J. Michael Allsen
- “Elias Mertel’s Hortus Musicalis Novus and Progressive Tendencies in the Late Renaissance Lute Fantasia” p26 – John O. Robison
- “Pietro Paolo Melii, Musician of Reggio Emilia” p42 – Francesca Torelli
- “The Lute Collection of the Paris Museum of Musical Instruments: Its Character, Formation and Development” p50 – Florence Getreau
- “Some Lutes in Paris Museums, Part 2” p53 – Joël Dugot
- “A Computerized Approach to the Early Italian Lute Ricercar” p106 – Richard d’A. Jensen
- “Transformation in Intabulation” p114 – Hiroyuki Minamino
- “Studies in the Lute and Its Music” p118 – Victor Coelho
- Review of Manuscrit Barbe, intro. Claude Chauvel p133 – David J. Buch
- Review of facsimile editions of Adam Falckenhagen: Sonate di Liuto, Opera prima and Adam Falckenhagen: Sei Partite a Liuto solo, Opera secunda p134 – Richard K. Falkenstein
- Review of facsimile editions of Franciscus Bossinensis: Tenori e contrabassi intabulati col sopran in canto figurato per cantar e sonar col lauto, Libro primo and Franciscus Bossinensis: Tenori e contrabassi intabulati col sopran in canto figurato per cantar e sonar col lauto, Libro secundo p136 – Richard d’A. Jensen
- Communication in response to Craig H. Russell’s articles “Santiago de Murcia: The French Connection in Baroque Spain” in Volume XV and “Fran?ois le Cocq’s Influence on Santiago de Murcia: Problems with Dates, Sources and Recomposition” in Volume XVI p139 – Monica Hall
- Rebuttal to Monica Hall’s Communication p141 – Craig Russell
- Communication in response to Joël Dugot’s article “Some Lutes in Paris Museums, Part 1” in Volume XVI p142 – Donald Gill
