• “Right-Hand Position in Renaissance Lute Technique”  p5 – Paul Beier
  • “The Modena Tiorba Manuscript”  p25 – Mirco Caffagni
  • “A Lute Duet of John Dowland”  p43 – Lyle Nordstrom
  • “The Lutes in the Museo Municipal de Musica in Barcelona”  p48 – John Griffiths
  • “The Resurrection of the Lute in Twentieth-Century Germany”  p67 – Kurt Rottmann
  • “The D Minor Lute in Central Europe After the Second World War”  p73 – Josef Klima
  • Review of Handschriftlich überlieferte Lauten- und Gitarrentablaturen des 15. bis 18. Jahrhunderts, ed. Wolfgang Boetticher  p78 – Douglas Alton Smith
  • Review of Making Musical Instruments by Charles Ford  p82 – Lyn Elder
  • Review of the facsimile of Simone Molinaro:  Intavolatura di lliuto, libro primo (Venezia, 1599), ed. Orlando Cristoforetti  p84 – Paul O’Dette
  • Review of the facsimile of Giovanni Battista Grantata:  Capricci armonici sopra la chittariglia spagnuola (Bologna, 1646), intro. Paolo Paolini  p86 – Robert Strizich
  • Review of the facsimile of Jacques de Gallot:  Pièces de luth (Paris, no date [1684?]), intro. François Lesure  p93 – Peter Danner
  • Review of Renaissance Music for Two Lutes, Catherine [Liddell] and Robert Strizich, lutes  p96 – Peter Danner
  • Communication in response to “A Translation of H. Newsidler’s Ein Newgeordnet Künstlich Lautenbuch” by Marc Southard & Suzana Cooper in Volume XI (1978)  p99 – Paul O’Dette