- “Right-Hand Position in Renaissance Lute Technique” p5 – Paul Beier
- “The Modena Tiorba Manuscript” p25 – Mirco Caffagni
- “A Lute Duet of John Dowland” p43 – Lyle Nordstrom
- “The Lutes in the Museo Municipal de Musica in Barcelona” p48 – John Griffiths
- “The Resurrection of the Lute in Twentieth-Century Germany” p67 – Kurt Rottmann
- “The D Minor Lute in Central Europe After the Second World War” p73 – Josef Klima
- Review of Handschriftlich überlieferte Lauten- und Gitarrentablaturen des 15. bis 18. Jahrhunderts, ed. Wolfgang Boetticher p78 – Douglas Alton Smith
- Review of Making Musical Instruments by Charles Ford p82 – Lyn Elder
- Review of the facsimile of Simone Molinaro: Intavolatura di lliuto, libro primo (Venezia, 1599), ed. Orlando Cristoforetti p84 – Paul O’Dette
- Review of the facsimile of Giovanni Battista Grantata: Capricci armonici sopra la chittariglia spagnuola (Bologna, 1646), intro. Paolo Paolini p86 – Robert Strizich
- Review of the facsimile of Jacques de Gallot: Pièces de luth (Paris, no date [1684?]), intro. François Lesure p93 – Peter Danner
- Review of Renaissance Music for Two Lutes, Catherine [Liddell] and Robert Strizich, lutes p96 – Peter Danner
- Communication in response to “A Translation of H. Newsidler’s Ein Newgeordnet Künstlich Lautenbuch” by Marc Southard & Suzana Cooper in Volume XI (1978) p99 – Paul O’Dette
